Tuesday, December 19, 2023

The Nature of Technology

My complication had a little complication.  Loyal readers recall that we are following the thread left by Deleuze's reading of Leibniz and attempting to deepen that question of what it means to be an individual.  Roughly speaking the question is why there appear to be distinct individuals if the world is ultimately all the same stuff.  Or, conversely, how there can be a world at all, if all that really exists are distinct individuals.  In short, individuals and the world seem as simultaneously necessary and incompatibly dual as form and emptiness.  

Simondon's On the Mode of Existence of Technical Objects was our first stop on this journey largely because it was already on the shelf.  While the book definitely dealt with the question of individuality, I found the perspective Simondon opened up on technology so timely and intriguing that I now find myself on a tangent to my tangent.  Simondon is of course not the only one who considers technology as a frozen or objectified form of human goal seeking behavior.  Nor is his the only framework for examining it, despite how useful I think it is.  In fact, it turns out that I have quite a few books about technology that I've been meaning to read.  So permit me a digression.  And if it seems too far afield at first, consider the next few posts in light of Simondon's most fundamental idea -- goal seeking behavior is only ever part of what it means to be an individual, and examining our technology lets us examine this part of ourselves.  

The first technology related book I grabbed off the shelf was W. Brian Arthur's The Nature of Technology.  I've been meaning to read this for 10 years, probably as a result of Kevin Kelley's What Technology WantsArthur, it turns out, is one of those rare contemporary economists who have something useful to say.  In this book he tries to channel the spirit of Schumpeter and develop a theory of technology that would help us adequately understand its relationship to the modern economy.  While it's pretty sketchy and high level as a theory, at least it's very clearly stated.  And surprisingly it has quite a lot of overlap with Simondon.  So in what follows I'd like to summarize's Arthur's theory as a means of further exploring the ideas we've already been dealing with.

The Nature of Technology breaks down into three sections that deal with three distinct though related questions: what is technology in general? how do new individual technologies arise? and how does technology as a whole evolve?  While, interestingly, Arthur doesn't actually begin with this point, he claims that the essence of technology is the harnessing of some natural phenomenon for a purpose.  In other words, technologies are actualized or operationalized forms of goal seeking behavior.  They are real teleological systems.  This comes surprisingly close to Simondon's idea that a machine is a (partially) concretized human thought of a mechanism that accomplishes a goal.  Perhaps because it sounds either too vague and philosophical or simply too commonplace, Arthur chooses not to lead with this observation.  He also tends to place the focus more on the phenomenon side of things.  That is, he talks about how technologies capture physical phenomena like the interference of waves, or biological phenomena like the self-replication of DNA, or even human behavioral phenomena like greed (if we consider something like 'the market' as a technology).  He's clear though, that these phenomena have to be captured in order or us to speak of a technology.  While philosophical, this point is fundamental.  It's really this baked in teleology that separates technology from other natural phenomenon; without a goal, there is no technical object, but simply a functioning natural system.  Arthur, however, does not specify that this goal needs to be a human goal.  As we'll see, his theory is that technology, as it evolves, can create its own needs that serve as new goals for further technologies.  While we might at first be tempted to contrast this with Simondon's emphasis on the way technology requires life, let's hold off on that till we unfold his full theory. 

To its essential definition as a teleological organization of phenomena, Arthur adds an empirical observation about how technology often seems to be organized hierarchically.  Technologies exhibit a fractal structure, where a main technology contains elements that are themselves smaller technologies, that is, systems which harness a phenomenon to a purpose, in this case the overall purpose of the main technology.  Especially these days, a given technology can be a complicated assembly of sub and sub-sub technologies whose functions are integrated to serve the purpose of the highest level technology.  Imagine a jet aircraft with its incredible complexity and redundancy of power, navigational, and safety systems, all trying to keep you in the air.  While Arthur emphasizes the hierarchical aspect of this organization, I think this is more properly seen as a particular (though very common) type of a more general notion of combination.  Technologies can be combined to produce other technologies.  Technology is thus recursive and modular.  Together, teleology and combination define the technical world.  Goals can be made into objects that capture and organize natural phenomena, and then these objectified goals can be combined to accomplish new goals.  This obviously correlates pretty well with Simondon's idea that the technical individual integrates technical elements into a teleological mechanism.  Here again, we might be tempted to contrast Simondon's careful causal analysis that lets him decide which technical groupings count as elements, and which have the sort of reciprocal causality that turn them into true individuals, with Arthur's rather casual use of the notion of sub-assembly.   But, again, let's put this question off till we finish with the whole theory. 

Finally, Arthur describes one more feature of the structure of technology as a whole.  Technologies can be broken down into smaller modules that are integrated to produce an overall functioning.  But technologies also tend to cluster into "domains" of related functionalities at the level above the integrated technical individuals.  Arthur has in mind things like the digital domain, or the domain of electrical (as opposed to say, steam) power, with all its related technologies like amplifiers, alternators, rectifiers, load limiters, etc ...  While he describes these domains as technical "languages", I'm not sure this analogy offers anything beyond the observation that there are rules of thumb or habits for effectively combining individual technologies to create new ones.  A domain provides a set of ready-made possibilities for combination, which allows new combinations to be produced relatively easily.  These elements and their 'grammar' however, do not form a tightly integrated functional unit like an individual technology and its modular sub-components, but constitute a fuzzy cloud of more or less related technologies.  At this point, it's perhaps unsurprisingly that Arthur's domains correspond well to Simondon's technical ensembles. These are collections of technical individuals held as distinct rather than integrated into a single unit.  The ensemble as a whole is not itself a technology because it is not a teleological mechanism, not a concrete solution to a specific problem.   Instead, the domain functions as a background of possible relations between technologies, which allows it to be the ground of new technologies -- in Simondon's scheme it's the technical ensemble that creates new technical elements.  What it creates are not solutions to particular problems, but objects that contain specific tendencies that provide for possible solutions to all kinds of problems.  

We can already anticipate how Arthur's definition of technology will answer his question about how new technologies are produced -- combination and recombination.  In a sense, we might say that this modularity follows from the definition of technology as a teleological mechanism.  Defined goals, after all, can always be be broken down into sub-goals like steps or stages, so perhaps its no surprise that you can break a whole down into a combination of technical parts.  More surprising is the fact that you can combine existing parts to create a completely new whole.  It's not obvious that accomplishing two separate goals should serve do any single thing that someone wants.  One of the strong points of Arthur's theory is that it deals with both of these cases, which we might respectively think of as top-down and bottom-up creation.  Both of these call a new technology into existence by linking a problem to a concrete solution.

New technologies frequently come into being in the prosaic manner that he calls "standard engineering".  Some off the shelf components are combined according to a known pattern in order to solve a specific problem.  My cat fountain needs a water pump.  This requires an electric motor, which in turn requires a power system.  These are readily available, well understood components that simply need to be combined with some economic and design constraints to lead to the production of the concrete new technical object that now sits in my bathroom.  Similarly, once an object like this has been constructed, new versions of it can be made by changing out the components for improved ones, or adding safety systems or lights or what have you; these accrue to the basic functionality without substantially altering it.  Arthur calls this process of descent with variation "structural deepening".  Together, these two plug and play approaches to 'innovation' account for most of our production of concrete technical objects.  Certainly these forces are more than adequate to account for the iPhone ... 13.

However, once upon a time, there was a first iPhone, and before that the many qualitatively new technologies that got their start somewhere.  These truly novel types of technologies are still combinations of existing elements, for the simple reason that you can't make a real something out of nothing.  But neither of the two forces we have described so far is capable of producing a completely novel solution to a problem.  This is because both standard engineering and structural deepening operate in a top-down manner.  They both begin with an already known solution to a problem, an already understood principle that effectively harnesses certain natural phenomenon and provides the structure of the technology at the outset.  However, because technology is modular and combinatorial, it's possible to hit on completely novel combinations that carry out a hitherto impossible task or achieve an existing goal using a completely new overall principle.  This bottom-up approach is what we mean by true "invention".  Arthur persuasively argues that this is not some spark of genius that comes from nowhere but simply a new combination of technical elements, usually due either to inventive thinking by analogy, or to using a completely different set of building blocks to construct a new solution to an old problem (which Arthur calls "redomainings").  This latter way of creating new technologies holds particular fascination for Arthur, and for good reason.  He sees that when an old problem is posed in the language of a new domain -- eg. power production shifts from wind and water to fossil fuel combustion, or calculation shifts from 'calculators' to computers -- veritable revolutions can follow.  In Simondon's language, we would say that the new ensemble is capable of producing elements with completely different possibilities for connection baked into them, which leads to the construction of qualitatively novel technical individuals.  

The closest biological analogy for these bottom-up types of innovation would be the horizontal gene transfer in bacteria.  Together with some mechanisms for moving genes around, the bacterial gene pool as a whole forms a sort of technical ensemble from which individual bacteria can draw on newly produced elements.  Of course, this examples falls short of what Arthur has in mind, since there is a single bacterial gene pool where he sees many distinct domains whose elements are easy to recombine, and any of which might serve as the basis for a novel solution to an existing problem.  Still, the biological analogy brings us to the final question Arthur tries to tackle, which is really the one that motivates the whole book -- how does technology as a whole evolve?  The answer, at this point fairly obvious, is combinatorial evolution.  This form of evolution, while not unheard of in biology, is clearly far from the Darwinian norm.  And it leads to a pretty startling conclusion.  If we define life by the ability to produce more of itself, then we are forced to acknowledge that technology as a whole is alive.  This is less vague and vitalist than it sounds.  Just like Simondon's, Arthur's scheme is not driven by the individual technology's ability to produce identical copies of itself.  And yet technology is still in a sense self-producing, or at least self-extending -- new technologies are produced as combinations of existing ones, and these combinations can go on to become elements in further combinations, ad infinitum.  Arthur even invokes Maturana and Varela's concept of autopoesis (though I would agree with Haraway's criticism of the use of this term here).  In short, technology creates more, and different, technology out of itself -- it is alive.  

Naturally, however, these new technologies are not created in a vacuum, but respond to the goals of their 'users'.  Remember, technology is essentially an objective goal directed system.  So there's immediately some question of what we mean by 'self' producing, if the goal has to come from outside the technology.  Arthur, however, offers a very interesting idea in this context.  He argues that technology not only produces a supply of goal directed systems, but also gradually bootstraps a demand for them into existence.  The first technologies were produced when humans captured simple phenomena like combustion (fire), elasticity (bows), or mineral cleavage (lithic reduction, aka flint knapping) and employed these to human ends.  Gradually though, the combined use of the bow, arrow, and fire themselves call into being new possible goals such as the hammer that improves the arrowhead and the smoking that preserves the meat.  These do not cease to respond to human goals, at least in the final analysis, but as technology develops through combinatorial evolution, it posits many subsidiary goals that demand technical solutions, as well as opens up many final goals that we didn't even know we had at first.  Arthur's culminating idea is that the economy is what mediates this supply of and demand for technical solutions.  It's at this point that he works his way back around to renewing Schumpeter's thoughts about creative destruction.  The structure of the economy reflects not only the technology available for our means of production, but the human and technical needs created by the operation of this very technology.  Thus when a revolutionary new technology comes into being, it has the capacity to shift the entire landscape of both production and consumption.  We stop wanting a faster horse and start wanting a horseless carriage.  The result of his theory is a much more realistic view of the economy as a complex system that evolves through a mechanism more like punctuated equilibria than the classical couldn't-be-a-real-dollar equilibrium fantasy.  

Now that we've covered the entirety of The Nature of Technology we're finally in a position to come back to the loose threads I mentioned earlier and consider Simondon and Arthur in light of one another.  While there's a lot of overlap, we can see that there's also some confusion around the question of what it means to be alive and how this relates to teleology as the defining feature of technology.  

For Simondon, teleology is associated with homeostasis (the primary goal is always to exist), which is only one aspect of life.  Life, by his definition, requires a creative exploration and production of aims that is impossible for a technology by itself; at bottom the technical object always embodies a fixed purpose given to it by life.  This is why his model of the technical individual begins with the artisan and progresses through machines that only reconverge with the natural world at the end of a long process of concretization.  These are systems whose teleology arises from, on the one hand, an reciprocally causal internal interaction of parts, and on the other hand, an interaction with the environment where the individual couldn't exist as such without the corresponding environmental structure being what it is, and vice versa.  As always, the image is of the teeppee or vortex that defines the 'self' which lies behind the teleology of homeostasis.  So what's really alive here is not the homeostatic or self-regulating individual, but the organic ground that contains the possibility of such an individual.  Once they come into existence, the technical individual is a machine like any other -- it simply executes its aim, in this case to stay in existence.  With this main goal in mind, a host of subsidiary goals falls into place.  And this newly created self-reinforcing feedback loop also becomes a unit in interaction with similar units and with the environment as a whole.  In the end, Simondon's idea of life boils down to this individual's openness to its milieu, to the possibility of having their teleology altered or re-constructed in some way.  The 'self' involved in individual homeostasis is actually a sort of dead husk.  We might say that technology is a means to a purpose, but the purpose is simply living -- the process of creation of new purposes.

Initially, Arthur's scheme may seem at odds with this.  He doesn't think technology needs life to give it goals since he considers it an autopoetic system all on its own.  But much of this difference becomes superficial when we realize that for Arthur it's only technology as a whole that begins to resemble the organic.  And even when he speaks of the self-producing aspect of technology, he is immediately forced to bring in its continual mediation by the human economy.  So what's alive here is not that different from Simondon's creative ground.  In both cases there's a life that flows through individual technologies, that can't be reduced to the execution of single purpose but consists in the generation of purposes.  We can follow Simondon and call this creativity life, or we can keep Arthur's terms and attribute it to technology as a whole -- in either case, we're talking about a life of technology.  All of the interesting stuff is happening at the intersection of life and technologies.  Technology evolves because the technical individual is always immersed in both a technical ensemble and a living milieu.

The one remaining point of difference lies in the fact that Arthur's analysis contains nothing that corresponds to the reciprocal causal closure that defines the individual for Simondon (and thus allows him to rigorously distinguish it from the element and the ensemble).  We are left with the impression that Arthur's sees any combination of technologies as a new technical individual.  While this may be true in principle, when he begins to discuss his toy model (pg. 181) of technology's combinatorial evolution it becomes clear that not all combination are actually viable in all environments.  Arthur's model actually selects for certain technologies that 'come alive' as a function the other technologies in the environment.  In this case, the top level of interesting goals are defined in advance and fixed at the outset of the model, so the only open question is what subgoals are used to sustain these once they appear.  In real life, these top level goals would themselves need to appear as the outcome of the way a complete techno-economic system functions.  Only some new combinations of technologies will result in an achievable goal that interests anyone.  And these might be extremely difficult to predict in advance.  As we observed earlier, sub-assemblies are easy to see once you know the main assembly, but a new main assembly is hard to construct from given sub-assemblies.  So here as well, the differences between Arthur and Simondon may not be as great as they first appear.

Wednesday, December 6, 2023

Concretizing the Nondual

The third and final part of On the Mode of Existence of Technical Objects represents a substantial departure in style and and content from the first two.  All the detailed examples of the inner workings of concrete technical objects disappear, and instead we get a much more abstract treatise about the genetic relationship between technical thought and other types of thought.  In fact, generally I found Simondon's complicated schema for organizing the various types of thought a bit too abstract.  Nevertheless, there are some really interesting ideas here, and I think the places he accords to philosophical and aesthetic thought in particular exerted a substantial influence on Deleuze.  So while I don't think I'm going to delve too deeply into Simondon's schematization of how thought develops, I do want to reflect a little on the motor that powers this development.  By understanding this motor, we'll see how it relates to the earlier description of the development of technics, and thus grasp the fundamental concept of the book as a whole.  And we'll also glimpse an outline of an early chapter in my forthcoming study: The Nondual Delueze.

The motor that powers Simondon's whole philosophy is the nonduality of figure and ground.  A simple concrete image of this would be something like Rubin's Vase or any of the other images beloved of Gestalt Psychology.  In all these images, figure and ground are clearly distinct, but reciprocally determined; the figure is only a figure on the basis of a specific ground, but the ground only appears as the ground of a specific figure.  They are co-adapted to the point of inseparability, and yet we seem to be able to perceive only one at a time.  So figure and ground are not the same, but they're also not different.  They form a sort of unity, but not one composed of independent pieces.  In short, figure and ground are nondual.  

I've called this nonduality a motor because Simondon conceives of it in dynamic terms.  An original nondual splits into figure and ground.  And then each side of this division split again into its own relative figure and ground.  Simondon conceives of each of these splits by analogy to the idea of a physical phase transition.  The same 'stuff' (in this case some nondual ur-ground of pure potential) can behave very differently depending on the circumstances.  However, while this schema is dynamic in the sense that each split generates a new figure-ground pair (and the method is hence is "genetic"), Simondon immediately distinguishes it from that other great philosophy of movement -- the Hegelian dialectic.

This schema is very different from the dialectical schema, because it implies neither necessary succession, nor the intervention of negativity as a motor of progress; furthermore, opposition, within the schema of phases, only exists in the particular case of a two-phased structure. (METO, 173)

[To these comments, we might add some related thoughts Deleuze articulated in Chapter 5 of his Nietzsche book.  The Hegelian dialectic is the sterile adventure of a pre-determined self-identical unity.  It's crucial not to confuse monism with nondualism, not to denature immanence by putting it inside anything other than itself.]

In fact, while Simondon will also go on to describe various ways that the two sides of each respective split can be rejoined or at least reconciled, his rigorous use of the phase transition metaphor gives this synthesis a completely different character than the dialectic.  For example, the sentence just prior to the citation about the dialectic refers explicitly to the idea of the triple point.  

The existence of a plurality of phases finally defines the reality of a neutral center of equilibrium in relation to which there is a phase shift. (METO, 173)

We have to keep this image in mind when Simondon frequently slips into talking about the types of synthesis capable of bridging two phases as if they were "seeking unity".  The phase equilibrium point doesn't negate the existence of the phases, or unify them in some final moment of aufheben.  On the contrary, it's the point where both phases, both figure and ground, can coexist as distinct.    

Simondon describes this nondual phase transition schema as genetic, because it generates the whole variety of human experience, including, of particular interest in this book, technical experience.  While he talks about the schema in terms of the generation of novel types of thought, it's more fundamentally a question of constructing the individuals who can have these thoughts as an experience, as a being-in-the-world.  This means that, in the final analysis, METO should be seen as an application of Simondon's theory of individuation to technology (a theory I presume is fully developed in Individuation in Light of Notions of Form and Information).  The splits into figure and ground, together with the equilibrium points that put the split terms back into relation, are all "modes of existence" that define an individual at a given instant. 

Now, having criticized Simondon's scheme as too abstract, I've given an even more abstract summary of it.  Perhaps a diagram representing the specific splits and reunifications would help bring us down to earth.



As I observed at the outset, the scheme is complicated.  But the basic idea is that every split is a split between figure and ground, between object and subject, and every double sided arrow represents a new nondual equilibrium of what has been put asunder.  So the magical splits into technics and religion before aesthetics intervenes as a mediator that reconstructs the lost "unity" (Simondon never uses the more accurate term "nonduality").  The technical mode of existence approaches the world as a set of figural objects available for human use, while the religious mode emphasizes the grounding totality of the divine subject.  Then, technics and religion each split again into figure and ground, though this time Simondon talks about a split between each domain's theory and praxis, rather than subject and object.  Technics splits into engineering, which deals with the figural forms or functional technical schemas we've seen elsewhere in the book, and physics (in the Greek sense), which deals with inductively investigating the grounding nature that powers all these schemas.  Likewise, religion splits into theology, which attempts to deduce the logical ground of being, and morality, which judges the figures of human action.  In an interesting twist, Simondon regroups these second order splits into ethics, which contains their practical, figural components, and science, which groups their theoretical, ground components.  Science thus has both a technical and inductive side, as well as a religious and deductive side (which Simondon associates with mathematics).   In other words, both science and ethics contain a mix of figure and ground elements -- eg. science is an interaction between the inductive ground of the figure (physics) and the deductive figure of the ground (theology).  However, it's only philosophy, by relating science and ethics that finally establishes a new equilibrium which aims to recover the aesthetic and magical unity.

This kind of schema raises a bunch of questions, and Simondon doesn't do much to address them (at least here).  My biggest general objection is simply how abstract this all is.  Does it really help us understand theology, say, or aesthetic experience?  And should we really treat either of those as a monolithic entity?  I might argue that various aspects of this schema -- like the idea of a phase transition, and the nondual reciprocality of figure and ground -- found their way into Deleuze's philosophy.  If that's correct though, they appear as the outcome of a concrete investigation of a particular philosopher or subject matter.  Starting with a specific situation seems to me a much better method of approaching the relationship between various modes of thought or human existence.  Then there are particular issues that cry out for clarification.  For example, the magical universe, which Simondon describes as a network of related special points (he does not use the term "singularities"), is a world in which figure and ground are already distinct, but nevertheless reciprocally interwoven so as to be inseparable.  He calls it the first "structuration" of the world.  Which only begs the question of what the world, the ground, was like before it was structured.  No doubt, this is a difficult issue, but some take on it seems essential.  And then there is the squirrely question of what sort of subjectivity is associated with the equilibrium types of thought.  Thought with a clearly distinct object, even if this object is the human subject, implicitly defines a relative subjective position.  But what of a thought that holds subject and object as simultaneous aspects of some larger experience?  Where does the thinker of such a thought stand, so to speak?  Simondon talks about "philosophical intuition" as a mode of knowledge between the operational mode of ethics and the contemplative mode of science, one that integrates those modes by following the trajectory of their development (diagrammed above).  In addition, he makes clear that such a thought would be "analogical", in the sense that it sees each of these modes (in fact, every mode) as an analogous manifestation of the figure-ground split that power everything and brings anything into existence.  In a moment reminiscent of the way each of Leibniz's monads contains the whole world, we see that every process of individuation is ultimately an analogy for every other.  in a sense, there's only one process.  However, just saying that there should in general be such an intermediary type of thought, doesn't sufficiently explain how it works.  And in particular, calling this 'analog' thinking seems to invite the obvious question of what, exactly each process of coming-into-being is an analogy for?  While I'll touch on this problem below, I'm curious whether Simondon addresses these issues more fully somewhere else.

At this point, you may be wondering what any of this has to do with the titular technical objects.  There are actually multiple levels of connection between Simondon's genetic analysis of thought and the theory of the technical object he presented in the first two parts of the book.  But the most important and interesting one is the way both theories revolve around a process of recurrent causality or feedback.  From the outset, Simondon defined the technical individual as one one whose elements come together in such a tight mutual conditioning that none of them would function as they should without all of them functioning that way.  This recurrent feedback created an individuated unit that concretized an abstract technical schema as a real technical object. In other words, the process of concretization we discussed earlier is actually a process by which the two aspects of the technical object (engineering and physics in the diagram) are synthesized into a single functional unity.  Technical concretization is a analogy for how a neutral equilibrium can be established between the phases of figure and ground.   Figure and ground become involved in a feedback loop that ends up blurring their distinction in the same way that technical concretization ended up blurring the distinction between machine and associated milieu.  And this feedback between figure and ground is actually genetic.  It creates a new type of thought or technical object.  

While I haven't explored all its implications, I think that adding the idea of recurrent causality to our understanding of nonduality has the potential to open up a deeper understanding of the latter.  For example, people often speak of a "unitive" meditative state.  However, this word hasn't described my experience very accurately (so far).  To me, its feels much more like an experience of non-difference that centers around an interaction with the world so fluid that there's simply no room left for a fixed identity.  What seems to have disappeared here is not the distinctness of objects or experiences, but any distinct supplementary dimension that would be required to represent those experiences as belonging to a subject.  The sense is of becoming flush or level with experience, being experience rather than having it.  Does the concept of recurrent causality help us conceptualize something like that?

But I digress. I mentioned that there were several levels of connection between part 3 and the earlier parts.  Now you can probably see how this is actually a result of the way Simondon scheme makes everything an analogy for figure-ground feedback.  So it appears at the level of the split between technical figure and technical ground as technical concretization.  But it also appears at the level of the relationship between ethics and science.  Recall that one of Simondon's deepest points was that cybernetics has the potential to help us see how technical finality (goal directed utility) is just one mode of living.  Modern machines are really just frozen forms of human intention.  They can't be understood without reference to their concrete inner workings, but they also cannot be understood without reference to the life of the humans who use them.  In this context, Simondon's goal was to create a technical culture that functioned as a higher level, virtual, analog of the artisan.  This culture would investigate how machines worked, what they tended to be used for, and, crucially, would other possible uses we might have for them, and thus for ourselves.  In short, he was encouraging us to become involved in a feedback loop with our machines at a level between the technical and what we might colloquially call the philosophical or even religious.  What are all these machines for?  What are they doing to us?  What are we doing to ourselves?  What is the meaning of life?  

Of course, the point is not to pronounce judgement on this question, but just the opposite.  We want to open it up.  And one obvious but often overlooked ways to do that is by examining the ever more salient fact that we surround ourselves with machines.  They are clearly a part of how we become who we are today.  Likewise, these machines only become what they are, that is, become fully technical, when we restore their evolving human context alongside a deep understanding of their inner workings.  In this sense, no object can be technical in and of itself.  Technicity is a phase of development that can only be fully understood through Simondon's more abstract scheme.  Thus we could describe the recurrent causality that creates a neutral point amongst the phases as a sort of becoming-technical that can, perhaps counter-intuitively, serve to restore our broader integration with the world.  

The technicity of technical objects can thus exist at two different levels: original and primitive technical objects, which appeared as soon as magical thought ceased having an important functional signification, are indeed the real depositaries of technicity, as tools and instruments; but they are objects only to the extent that they can be put into action by a user; the users gestures also belong to techni­ cal reality, even if they are contained in a living being that places its perceptive power, its functions of elaboration and invention, at the service of the technical task; the real unity is that of the task rather than that of the tool, but the task cannot be objectivated and can only be lived, experienced, accomplished, and not strictly speaking, reflected upon [réfléchie]. At the second level, technical objects are part of technical ensembles. Consequently, at the first level or at the second level, technical objects cannot be considered as absolute realities and as existing by themselves, even after having been constructed. Their technicity can be understood only through the integration of the activity of a human user or the functioning o f a technical ensemble. It would thus not be legitimate to seek to understand the tech­nicity of an object on the basis of an induction comparable to that which one can apply to natural beings; the technical object, which never harbors all of technicity on its own, either because it is a tool or because it is the element in an ensemble, must be known by philosophical thought, i.e., by a thought that has the intuition of the coming-into-being of the modes of relation between man and the world. (METO, 245)